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The learning curve is more like a gentle slope for designers experienced in Illustrator or Photoshop. Affinity Designer comes with all the standard pen and shape tools to complete complex vector and pixel-based artwork.
With the persona toolbar—which divides vector, pixel and export tools into three separate sets—users can switch between tool sets without interruption to workflow. For designers who work in Photoshop and Illustrator simultaneously, using Affinity Designer may be a time saver. Experienced vector artists and infographic designers will find a noticeable lack of the more advanced tools found in Illustrator CC. For example, the current release of Affinity Designer does not include a perspective grid or column graph tool.
Whether sharing working files with a team or updating templates created on another platform, compatibility is an issue that very few graphics programs have addressed in the past. Saving back to AI, however, is not possible. Because Adobe offers a broader range of features and settings, some of these may not be preserved when importing into Affinity Designer.
For example, pattern overlays and other effects or filters can get dropped from imported PSD files and imported AI files may not preserve grouped objects. Affinity Designer comes up short against Adobe Illustrator in workspace options.
Illustrator CC offers multiple Workspaces pre-set for different types of design jobs—web design, automation and pre-press proofing to name a few—and the ability to create a custom Workspace. While the program is equipped with a broad range of effects, and supports an expanded selection of vector shapes and the ability to load Photoshop brushes. These improvements are indications that the developers at Serif understand the needs of professional designers and are working to meet those needs.
The Windows beta version is now available for download, but there is no information about Affinity companion apps for mobile devices. Adobe CC is available for Mac and Windows and the Adobe mobile apps let users create and preserve editable artwork in the Creative Cloud for use across platforms. In terms of function and style, Affinity Designer is an impressive, low-budget alternative to Adobe Illustrator. Full-service designers who need to create multi-page documents will still need to rely on InDesign—or the old Quark Xpress, as Serif has not yet released a comparable alternative.
For comprehensive features, tools and shortcuts, Adobe CC has Affinity beat. However, if Serif keeps the pace, we may soon see the Affinity suite become a major competitor in the graphic software market.
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You are using an out of date browser. It may not display this or other websites correctly. You should upgrade or use an alternative browser. Affinity 1. Thread starter twmiller24 Start date Feb 4, We use Adobe at work, but I didn't feel like paying monthly fees for the privilege at home.
I assumed that when upgrades came, I would just purchase the upgraded software. They just announced Affinity 1. I'm wondering if anyone primarily uses Affinity in their shop, and, if so, how that is working for you. WildWestDesigns New Member. I have messed around her the version of photo that she has on the iPad she has it on her desktop as well and I liked it, but nothing beyond that as I don't use Win or Mac anymore, so I didn't experiment with it on that platform at all.
Bobby H Arial Sucks. It appears the biggest improvements in Affinity Designer 1. However, Affinity Designer has some unique takes on features like the contour tool similar to Offset Path in Illustrator. However this contour tool in Affinity Designer offers some "live" lava-like behaviors with compounded objects.
Click to expand Bobby H said:. Plus the iPad version gives me another drawing on screen app to go with Vectornator and Illustrator. ProColorGraphics New Member. I'm waiting to see what Corel comes up with for version The second reason is just having the app on hand in case the popularity of Affinity Designer really grows.
We get a decent amount of client-provided artwork, a good bit of which comes from small businesses. So if we start getting. Exporting art to other applications doesn't always go so well. It usually takes a good bit of experience with graphics software to navigate those hurdles. It's difficult to expect clients to do that with their DIY art files. I'm sure if it catches on that price will go up. ProColorGraphics said:. I have asked Astute Graphics about other programs and they said it was up to them to allow it.
I do like the Affinity apps and have all 3. It's just hard to remember, or take the time, to use them more when you have become so proficient in the program you use all of the time. I agree about the Astute plugins. They are one of the main things keeping me using illustrator. I am hoping Affinity will allow for 3rd party plugins soon. Based on one of the moderator's posts although it's an old one , doesn't look good for addons with Afinity.
As much as so many people hate on Adobe the fact remains they're doing pretty well. The only area where I see any vulnerability for Adobe is in the video editing segment where Blackmagic Design is really turning up the heat. WildWestDesigns said:. The thing is, I don't think Adobe gets the bulk of it's revenue from CC as well. They offer a subscription for businesses not directly CC related that is where it appears to get the bulk of it's money nowadays.
Premier has really being lambasted it seems recently. Last edited: Feb 5, Adobe's move to selling its software exclusively via Creative Cloud made enough of a difference in its bottom line that its stock price has soared in the following years.
I don't understand all the problems surrounding Premiere. Adobe has issued lots of updates to fix known bugs. But frequent updates are kind of the norm. Heck, I saw two minor updates for Illustrator just this week. I suspect the issues with Premiere are more complicated and likely involve a lot more than the software itself.
I'm wondering if Blackmagic Design is running into any serious issues with its Da Vinci Resolve suite of applications or "pages" as they say. Like Premiere, it is being run on a pretty wide variety of hardware. The latest edition of Da Vinci Resolve v17 is now available and can be downloaded for free. It costs a little money to turn on all the bells and whistles in the software.
I really think Blackmagic Design is offering the software as a loss leader in order to sell its professional level video production hardware. Now that stuff is not so cheap to buy. Up to who to allow it?
I think it would be more complicated porting those plugins to a rival drawing application than it is to create something like a vinyl plotter output plug-in. I don't know if Affinity Designer even has an extensible architecture to allow for third party plug-ins. I experiment a bit with Affinity Designer from time to time. But there are too many big and little things missing in terms of features, keyboard shortcuts and whatnot for me to rely on that program for much of my work.
I used to do the vast majority of my vector-based work in CorelDRAW, but more and more of it is being done in Illustrator as Adobe continues to improve the application and do so on a frequent basis. The huge suite of Astute Graphics plugins for Illustrator just elevates it on a whole other level. Affinity Designer will have to go through a few more generational level improvements to get onto the same level as Illustrator.
I haven't heard any word at all of what to expect with the upcoming CDR release, presumably in March. In years past there would be a good amount of pre-release buzz over a new release of graphics software. That doesn't seem to be the case anymore, at least not with Corel.
When I asked Astute Graphics about it, they said they were open to having their plugins for Affinity. But it was up to Affinity to allow it. The problem with subscription is that things tend to be more about iteration then innovation. Most of the complaints that I have seen have been relative to the program crashing.
Some of that though has been due to large files and that can present a lot of problems for any program with dealing with large files. I don't really agree. That statement implies that full version releases in non-subscription software will always have major improvements.
What that statement implies is that the need to always lure people to the next version is greater not that it's a sure thing, but the need to lure is greater when there is no sure thing of money coming in. As far as to the advantages of those features that Adobe may haven put in, it depends on if those features matter to you. A lot of people on here were bellyaching for a larger canvas in Ai, that means squat to me, but to some that was really important.
I'm not going to purchase a new version for that feature, while I'm sure others would see that as an advantage. You are reaching big time with a few different factors. First you appear to be assuming Adobe is totally maxed out on its number of subscribers and cannot attract any more users.
What the hell is Corel or any non-subscriber software vendor doing to "lure" customers to the next version? Meanwhile there is actually a process toward progress going on with Adobe. The lights are on in Adobe's house. Can't say the same at Corel. Adobe is the one who is being far more responsive to user feedback.
Adobe is issuing way more bug fixes and doing so faster. Large canvas means squat to you? I think I asked this before, but what are you doing spending time on a sign making forum if large canvas functions don't mean anything to you? The large canvas feature in Illustrator was long overdue.
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